What We Talk About When We (Don’t) Talk About Dying
Sean MurphyMY MOTHER EVENTUALLY became acquainted with the white-walled world of procedures and all that happens—before,...
Five Songs to Welcome Spring*
(*Even though we are supposed to get snow tomorrow!) The incomparable John Fahey with the...
33 Thoughts about Villanova vs. Georgetown, 1985
March Madness, indeed. The timing could not have been better: gearing up for another annual...
Radiohead, Radiodread and Kudos to Consequence of Sound
What a great idea, pulled off with aplomb. My hat is tipped to the good...
“Better call on evolution” or, Our Cultural Koyaanisqatsi (Revisited)
Don’t you remember, back in the ’70s (or early ’80s), learning about people banning or...
3.14 and Interfacing with the Infinite
If you’ve never seen Pi, Darren Aronofsky’s first (and best) movie, I strongly encourage you...
The Intersection of Art & Innovation, cont’d: A Conversation with Matt Merewitz
Music. Marketing. Merewitz. Murphy. My series concerning the Intersection of Art & Innovation continues! (previous...
Taking It All Too Hard: Unironic Love For Phil Collins (Revisited)
After taking on the “holy trinity” of classic era Genesis, wherein Phil Collins arguably got...
Pathétique
i. It always waits until after you’re asleep. (You think: Who are you?) (And then...
The Intersection of Art & Innovation, cont’d: A Conversation with Bethanne Patrick
Last week I had the privilege of being joined by Bethanne Patrick, curator of the...