Compassion*
Sean MurphyLicense registration, no I ain’t got none, But I got a clear conscience ‘bout the...
Whitney Houston and the Wages of Fame (Revisited)
Sadly, only the most optimistic or naive observers did not see this coming. Indeed, it...
Human Connections, Missed Connections, Chance Connections: ‘Three Colors: Blue, White, Red’ (Revisited)*
Words need not be minced here: the Criterion Collection treatment of Krzysztof Kieslowski’s trilogy is...
Emotional feedback on a timeless wavelength: Rush’s ‘Permanent Waves’
How unbelievably appropriate that Permanent Waves was released on January 1, 1980? In virtually every...
Stop Me If You’ve Heard This One Before*
Let me tell you a story. It involves a white male born in a steadily...
My Annual New Year’s Eve Message
As always, it’s a hell of a lot easier to keep these things in perspective...
2012: Time To Die (Part Two)
2012: In pace requiescat! Theme video for this annual series (especially instructive for those not...
2012: Time To Die (Part One)
2012: In pace requiescat! Theme video for this annual series (especially instructive for those not...
Weird Scenes Inside the Gold Mine: Part Two
Picking up where we left off yesterday (which, in case you missed it, is HERE)...
Weird Scenes Inside the Gold Mine*: Part One
Merry Christmas to me. So, a year or so ago I did something I’d been...