Mon. Jun 16th, 2025

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More from the aforementioned blog post:

Flash forward to 2013: I am releasing my first book this month, deciding, like so many musicians and, recently, writers, to go the independent route. Along the way, I’ve collected more rejection letters than I could count, but I’ve also seen the 20th century SOP steadily disappear as an unhappy memory. Today, just about anyone can publish a book, and a lot of people are trying. Does this potentially flood the market with inferior product? Certainly. Does it also ensure that more writers (and musicians, and movie makers) have the opportunity to be heard and discovered? Without doubt.

The good news: with sufficient ability, awareness and time, anyone can publish without paying for it or surviving the scrutiny of hit-seeking middlemen. The bad news: as liberating as this new DIY ethos is, the onus is now entirely on the artist. As such, I necessarily became acquainted with the nuts and bolts of creating a book, from legal pad to Amazon. Suffice it to say, this demands a proficiency at production, distribution and marketing.

The bottom line? This process represents the very essence of innovation, in actual practice. If you want it done, do it yourself. If you want it done well, understand and learn all the things you do not know. In halcyon times, writing a book was itself the hard part, and pretty much the only thing an author controlled. Too many authors had to hope that their publisher could generate sufficient interest, garner reviews, set up a book tour, etc. If that didn’t happen, there were few options other than luck or a miraculous endorsement from Oprah.

Today, even taking the independent route will cost you money (unless you happen to be a book designer, website builder and professional editor). On the other hand, it cost you money back in the day, as well: those advances given to authors were typically contingent upon future sales and the cost of assembly, editing and distribution were factored in on the front-end. I worked with the appropriate people, and worked on my game-plan with every spare second I could afford. Without a publisher or promoter I secured my own blurbs and booked my own reading events. As this book comes into the world, I have no one to answer to but myself. It’s beyond what I could have imagined, and just the way I would have imagined it, in some implausible future.

That future is real and it is now; in fact, milestones being made this moment will already be surpassed tomorrow. In the past I celebrated certain advancements from the sidelines, in solidarity. As I watch, and experience, the empowering mechanisms of innovation create previously unimaginable opportunities, I understand it’s now also the story of my life.

Part Two of the discussion, below:

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By Sean Murphy

Subscribe to my Substack Award-winning author Sean Murphy in conversation with creative thinkers, spanning the literary, music, art, politics, and tech industries. As a cultural critic, professor, founder of a literary non-profit, Sean is always looking to explore and celebrate the ways Story is integral to how we define ourselves, as artists and human beings. This Substack newsletter and weekly podcast peels back the layers of how creativity works, why it matters, how our most brilliant minds achieve mastery. Join us to explore how our most successful and inspired storytellers engage by discussing craft, routines, brand, and mostly through authentic and honest expression. Subscribe at seanmurphy.live Connect with me Website: seanmurphy.net Twitter: @bullmurph Instagram: @bullmurph Facebook: facebook.com/AuthorSeanMurphy LinkedIn: linkedin.com/in/sean-murphy-4986b41