The Intersection of Art & Innovation, cont’d: A Conversation with Matt Merewitz
Sean MurphyMusic. Marketing. Merewitz. Murphy. My series concerning the Intersection of Art & Innovation continues! (previous...
Taking It All Too Hard: Unironic Love For Phil Collins (Revisited)
After taking on the “holy trinity” of classic era Genesis, wherein Phil Collins arguably got...
Pathétique
i. It always waits until after you’re asleep. (You think: Who are you?) (And then...
The Intersection of Art & Innovation, cont’d: A Conversation with Bethanne Patrick
Last week I had the privilege of being joined by Bethanne Patrick, curator of the...
The Prog Rock Holy Trinity, Cont’d, Part Three: Genesis
There are several things that make it challenging to discuss old school Genesis. First, virtually...
Don Drummond: Music Was His Occupation
Check out this elevator pitch: Impoverished youth becomes a mostly self-taught musician. This reticent, eccentric...
Harold Ramis: Empathy for the Rebel
Consider this: a world without Animal House. Or Caddyshack, Stripes, Ghostbusters and Groundhog Day. I...
Marlon Brando, Pocahontas and Me (Revisited)
And the Oscar goes to… Who cares? Okay, okay: I’ll resist the urge to be...
Being the Ball: What We Talk about When We Talk about ‘Caddyshack’ (Revisited for Ramis)
Well…we’re waiting! Actually, you already read this review. You already wrote this review. You can...
Talking about Where the Jobs Are With John Dearie, cont’d
I was happy to have a follow-up discussion with John Dearie about his book, and...